Finch Files: Interviews
Having my work and process explored by the brilliant mind of Nailah Harper-Malveaux for BOMB Magazine was such a joyful experience!
Continue reading at BOMB Magazine
Having my work and process explored by the brilliant mind of Nailah Harper-Malveaux for BOMB Magazine was such a joyful experience!
Continue reading at BOMB Magazine
This summer I had the pleasure of being interviewed by Minister of Information JR Valrey with SF Bay View to discuss all things relating to Josephine’s Feast.
Continue reading at SF Bay View.
From start to finish, Josephine’s Feast at the Magic Theatre was a dream! Every single person who contributed to this vision holds a place in my heart—with the final piece being the audience(s) who showed up and showed out.
[images by Jay Yamada]
[images by: Allie Boland]
Director extraordinaire, Ellen Sebastian Chang, guided us out into the depths from Day 1. Everyone trusted her vision because she created a room in which we felt safe enough to place our private pain and fears in the center of the table. The payoff came in the many instances of Spirit making its presence felt in undeniable ways.
Josephine’s Feast By Star Finch Director: Ellen Sebastian Chang Scenic Design: Tanya Orellana Lighting Design: Russell Champa Video Design: Joan Osato Sound Design: Lana Palmer Props Design: Brittany White Costume Design: Kyo Yohena Stage Manager: Christina Hogan Cultural Consultant: AeJay Marquis Mitchell
Cast: Tierra Allen, Tre’Vonne Bell, Britney Frazier, Margo Hall, Donald E. Lacy, Jasmine Milan Williams.
I was overjoyed to attend Playwrights Foundation’s 45th Birthday Benefit—what a deep history here in the Bay Area! In addition to being a Birthday party/fundraiser, playwrights were also honored with inaugural awards.
Lauren Gunderson received the Impact Award to recognize her deep contribution to the field, the Bay Area, and uplifting the next generation; Elana Dykewomon's creative life and legacy were honored posthumously; and I received the Launch Award to recognize my career’s liftoff here in San Francisco. The evening pulsated with the fierce embrace of community support.
Both Jessica Bird Beza and Sean San Jose presented my award through personal stories woven with love and humor. Plus seeing the faces of friends I didn’t know were coming was the cherry on top! It was an experience I’ll never forget.
I was blessed to co-host a Feast of Resilience in June with Crowded Fire Theater and Campo Santo. The day was a beautiful celebration of Black artists in the Bay Area in the spirit of tenderness after over a year of isolation. We gathered on a rooftop in Oakland to harness our collective Light as a creative portal into a future we already carry on our tongues and in our hearts.
The afternoon was hosted by the radiant Ryan Nicole, and featured dazzling shares from: Tongo Eisen-Martin, OYSTERKNIFE (Chibueze Crouch & Gabriel Christian), Troy Rockett, RashadxSoulNubian, and Brittani Sensabaugh; with a testimonial blessing from Ellen Sebastian Chang.
(photos: Adam Tolbert)
Our gathering was small in number due to Covid restrictions, thus it goes without saying that the genius of Black creatives/theater folks in the Bay Area far exceeds the number of people we could invite.
I am deeply grateful to Mina Morita (Crowded Fire), Sean San Jose & Joan Osato (Campo Santo) for listening to my vision around having a Black Feast and then putting all of their energy towards making it happen. The day was literally a dream come true.
Matchbox Reading for SHIPPING & HANDLING (developed in Crowded Fire’s R&D Lab)
Directed by Mina Morita
One Presentation Only – November 9th, 2019
Venue: Z Below
Bondage Directed by Elizabeth Carter
A.C.T. Costume Shop Theater San Francisco January 11th- 20th, 2018
“Finch’s dialogue is potent, beautifully expressed and mysterious, especially in its dreamlike mystical moments.” —Marin Independent Journal
“Finch does more than put lyrical words in the mouths of her richly rendered characters; she uses that language to create an atmosphere of off-kilter dreaminess…”—North Bay Stage and Screen
“…Finch is a serious dramatist whose writing has depth, beauty and a muscular poetry to it.” —Theater Dogs